Applauded in March and August 2019 for her interpretation of the role of Iole in the French premiere of Nicola Porpora's serenade "Deianira, Iole ed Ercole", the French soprano Maud Haering already has a large number of concerts to her credit in France and throughout Europe. With the Parnasso in Festa ensemble, of which she is a founding member, she has brought this forgotten serenade to audiences in Normandy and Gironde during the Flam' and Musicales du Bocage festivals. The young soprano then performed the cantata BWV 51 'Jauchzet Gott in allen Landen' in The Hague in February 2020 as part of the Early Music Open Stage of the Koninklijk Conservatorium. She was also heard in Salzburg (Austria) in July 2019 in the Bösendorfersaal of the Mozarteum where she sang Handel. She also performed cantatas by Ariosti and Bononcini in Basel, Bern (Switzerland) and Mulhouse with the baroque ensemble Ignis Musicalis in June and September 2018, and also performed in June 2018 in Lille with the ensemble Parnasso in Festa in the motet "In Furore" by A. Vivaldi.
For the past 5 years, the light lyric soprano has benefited from the teaching of Luciana Serra, within the framework of the Arte del Belcanto academy, in Lugano (Switzerland). She was also a student of Julie Hassler's baroque singing class at the Conservatoire du 11ème arrondissement de Paris while continuing her master's degree in medieval singing at the Sorbonne University under the direction of Benjamin Bagby and Katarina Livljanic. In June 2021, Maud completed a master's degree in baroque singing at the Koninklijk Conservatorium Den Haag (The Hague) in the Netherlands where she benefited from the guidance of Peter Kooij, Francesca Aspromonte, Robin Blaze and Rita Dams. In 2020 and 2021, she also benefited from the teaching of David Chapuis and Patrizia Bovi in the framework of two academies on the French and Italian Ars Nova at the Abbaye de Royaumont.
Noticed during the Ton Koopman Academy in February 2020, Maud was invited to sing whit the Amsterdam Baroque Choir (dir. Ton Koopman and Peter de Groot) and in the choir of the Collegium Vocale of Gent (dir. Philippe Herreweghe) during the tour of the Saint Matthew's Passion which was to be held in March and April 2020 (postponed to spring 2022). Familiar with the stylistic exigencies of the medieval and baroque repertoires, the young soprano was heard as a soloist in plainchant by Hildegard von Bingen in July 2020 and 2021, and performs regularly with the Discantus ensemble (dir. Brigitte Lesnes) in polyphonic and monodic repertoire of the 12th and 13th centuries. Back in France from the summer of 2021, she will be heard with the ensemble Discantus in July, September and October 2021 after having performed with Ignis Musicalis in June (Switzerland) in a programme dedicated to French women composers of the 17th century. Maud Haering is also preparing to work under the direction of Jordi Savall in a number of projects from 2022 due to her recruitment to the Capella reial de Catalunya. Maud Haering won the prize for the best master's thesis presentation at the Koninklijk Conservatorium (The Hague) and will receive her prize at a concert on 27 November during the inauguration of the conservatory's new buildings: Amare.